In my last spotlight on Taylor Guitars use of Tasmanian blackwood I described the 2008 Spring Limited Edition models as enigmatic.
The reason is it is difficult to find any information on these models.
As far as I understand only 2 Limited Edition models were issued Spring 2008, both of them featuring Tasmanian blackwood. But Taylor’s Wood & Steel magazines for 2008 make no mention of any Spring Limited Edition releases; and today the internet contains little residual record of their release.
Taylor’s own website makes no mention of these models.
I have been aware of the all-blackwood 426ce model for many years but only recently became aware of the Sitka-topped 416ce model thanks to my correspondence with Taylor Guitars.
Both of these models are essentially the same GS (Grand Symphony) design with the 416ce having a Sitka spruce top and the 426ce having a blackwood top, otherwise they are identical. Production was 325 and 676 units respectively (1001 total).
Compared to the 2007 GS4e these two models were only available with the cutaway body and with better quality appointments such as the abalone rosette.
The 2008 Spring Limited 426ce was also the subject of an “Ask Bob” letter in the 2014 Wood & Steel Vol. 78 (p. 6). Both the letter and Bob Taylor’s response say a lot about the potential of blackwood as a tonewood. Here is the letter:
I picked up a used [Grand Symphony] 426 with Tasmanian blackwood back, sides and top. After playing it a few weeks, it seemed to meld with my playing style (I got used to how to fingerpick it), and I’m one of those people who believes that good guitars will adjust themselves to a player’s sound. It sounds absolutely stunning with the kinds of blues I play. I think it sounds better than any all-koa, mahogany or walnut guitar I’ve heard. I’d bet you could find a pretty good market for this model with acoustic blues players looking for that really old-fashioned sound that can be elusive. Have you considered making this a regular model?
And here is Bob Taylor’s response:
Actually, Jim, in some ways we prefer the sound quality of Tasmanian blackwood to koa. Both are acacia trees and are nearly identical, or as close as cousins can be to one another, but blackwood has a very nice sound. We have been considering using blackwood on a regular basis for many years, but the challenge is getting a regular supply of guitar-grade wood. We have spent considerable time and energy in the country, working and developing relationships. We want to obtain wood in the most ethical and environmentally sound manner, so we’ve backed away from the traditional logging supply in favor of more sustainable methods that benefit local people. Tasmania has so much going for it with the species available there, and the added plus is that it’s a well-developed country rather than a poverty-stricken country. This condition puts many wonderful rules in place, and we are now working on some wonderful possibilities for obtaining blackwood. Currently we have a great relationship with a man who gets blackwood in the most ideal way. You can expect to see at least limited runs of guitars with this wood for years to come. Someday it may also become a standard model, but it’s too soon to tell at this point.
So here we are 3 years later, Tasmanian blackwood is now part of regular production at Taylor, but the 2008 426ce Ltd is still the only all-blackwood model produced in volume by Taylor to date. All-blackwood Custom or Prototype guitars are occasionally made. Perhaps they want to avoid market confusion with their highly successful Koa “K” Series:
Here’s a video review of the 426ce:
My next spotlight will be on the 2009 Spring Limited Edition models.
Previous Taylor spotlights: