Taylor 2009 Spring Limited Editions

2009SpringLTDs

Above (L-R): Tasmanian blackwood/Sitka spruce, 416ce-LTD, Sapele/ovangkol T5-LTD, Madagascar rosewood/Sitka spruce 714ce-LTD

Following the release of the mysterious 2008 Spring Limited Editions Taylor Guitars continued its steady promotion of Tasmanian blackwood in 2009 with 4 Spring Limited models.

With value on people’s minds, we’ve cooked up a special batch of LTDs for spring — inspired by Madagascar rosewood, Tasmanian blackwood and ovangkol — and added premium features, all at a sweet price point (Wood & Steel, Vol. 59).

The blackwood models were once again released in the 400 series.

Sounding just as good as they look, the 400 Series Limiteds feature a honey-colored Tasmanian blackwood back and sides and are dramatically accented with creamy maple binding and [back] mini-wedge. With a Sitka spruce top, a sparkling abalone rosette, stylish mother-of-pearl diamond fretboard inlays and a high-gloss finish on the top, back and sides, the blackwood 400 Series Limited Edition is available as a 410ce-LTD, 412ce-LTD, 414ce-LTD or 416ce-LTD. Along with the 700 Series, the 400 Series features a sloping Venetian cutaway and Taylor’s Expression System® for high fidelity plugged-in playing.

Production numbers (courtesy of Taylor Guitars) were:

MODEL PRODUCTION
410ce-LTD 115
412ce-LTD 62
414ce-LTD 332
416ce-LTD 241

 

https://www.taylorguitars.com/

My next spotlight will be on the 2010 Spring Limited Edition models.

Previous Taylor spotlights:

2004 Fall Limited Editions – when Taylor Guitars first introduced Tasmanian blackwood

Taylor GS4e 2007 Fall Limited Edition

Taylor 2008 Spring Limited Editions

IST Blackwood Log Tender Results 2016-17

1617logs

In the interests of greater market and price transparency in the forest industry here is my annual summary of blackwood log tender results from Island Specialty Timbers (IST) for the 2016-17 financial year.

http://www.islandspecialtytimbers.com.au

This is the only publically available competitive market price data for blackwood logs.

During the year 20 blackood lots, totalling 20.4 cubic metres, were put to tender over 5 of the 8 tenders held by IST. That equates to 1 single truck load of blackwood material! Of the 20 lots put to tender only 6 were sold, totalling 7.2 cubic metres!

It’s been a quiet year for the local blackwood market.

Last year (2015-16) Forestry Tasmania sold 9,580 cubic metres of blackwood logs and craftwood, with the vast bulk of this volume sold on private long term sales contracts. The tiny volume sold through public tender by IST represents just 0.07% of the blackwood harvested from the Tasmania’s public native forest.

http://www.forestrytas.com.au/about-us/publications

For the August and September 2016 tenders IST put to tender 7 lots comprising pairs of blackwood logs. In the August tender the pairs were logs cut from single trees, whilst in the September tender the pairs were from different trees. All were plain grain logs. Only 2 of the pairs from the August tender sold.

None of the 11 blackwood lots from the September and November 2016 tenders sold!

Then came the March 2017 tender where 2 large blackwood logs from the same tree featuring tear drop grain were put to tender. Total volume for these two logs was 2.59 cubic metres. The larger butt log went for $1575 per cubic metre whilst the smaller head log sold for $1625. Total value for this single blackwood tree totalled $4130!! These logs provided the highlight in an otherwise quiet year.

Actually despite the low volumes sold plain grain blackwood logs didn’t do so bad. The 4 plain grain lots that sold averaged $418 per cubic metre for some reasonable quality logs, with prices up to $550 per cubic metre. I regard that as a good price.

The table below summarises the IST blackwood tender results for the 2016-17 financial year:

IST 2017 BWD summary table

The 20.4 cubic metres of blackwood put to tender compares with the total of 166 cubic metres of specialty timbers that IST put to tender in 2016-17, or only 12% of the total volume. This is despite the fact that blackwood is by far the dominant specialty timber harvested in Tasmania.

The chart below shows the average blackwood tender prices and total volumes for the past 4 years.

IST BWD pricevolume trend

Unfortunately the volume of IST blackwood tender material is too small and the quality too variable to allow meaningful market/price comparisons between years. Also IST generally only caters to the local southern Tasmanian craftwood market.

Large volumes of large, good quality logs from blackwood plantations should generally command better prices than shown by the IST result.

The blackwood market desperately needs more tradability, more transparency and more commercial credibility.

The only basis for a successful forest industry is profitable tree growers within a competitive, transparent marketplace.

Caveats:

  1. Island Specialty Timbers (IST) is an enterprise of Forestry Tasmania established in 1992 to increase the recovery, availability and value of specialty timbers from harvesting activities in State forests.
  2. Forestry Tasmania manages its special timbers operations (including IST) as a taxpayer-funded, non-commercial, non-profit, community service. Last year each cubic metre of blackwood log harvested by Forestry Tasmania received a taxpayer subsidy of $86! No private blackwood grower received any taxpayer subsidy.
  3. Note that all logs and wood sold by IST come from the harvesting of public native old-growth forest and rainforest certified under AFS (PEFC).
  4. It is unlikely that this tiny set of market-based blackwood log prices is representative of the broader blackwood market.
  5. The dataset is too small and variable in quality to allow any analysis or correlations to be made between price and log quality apart from the obvious result that feature-grain logs attract a significant price premium over plain-grain.
  6. These tender prices are effectively mill door prices that already include harvesting and transport costs. They are not stumpage prices.

So whilst Forestry Tasmania, the State government and the State parliament all regard the special timbers industry as a taxpayer-funded community service and political play-thing rather than a commercial opportunity, then blackwood’s commercial future remains difficult.

“The lack of price transparency for forest products, particularly from hardwood forests/plantations [in Australia], represents an impediment to the uptake of farm forestry. Unlike other commodities, price information for forest products is not published through the newspaper or accessible online. Better price transparency is required to encourage smallscale investment in trees” (p. 71. FWPA Report PN: PNA243-1112/2, 2013).

http://www.fwpa.com.au/rd-and-e/market-access/229-the-case-for-renewed-development-in-plantations-identifying-forest-values-and-the-constraints-to-attainment-stage-one-and-two.html

This quote from a recent forest industry report says it all. Even the forest industry recognises price transparency is a major issue, but then does nothing about it. One of the authors of this report was none other than the Director of Forestry Tasmania!

For previous years IST tender reviews see:

https://blackwoodgrowers.com.au/2016/06/23/ist-blackwood-log-tender-results-2015-16/

https://blackwoodgrowers.com.au/2015/06/18/ist-blackwood-sawlog-tender-results-2014-15/

https://blackwoodgrowers.com.au/2014/06/14/blackwood-sawlog-tender-results-2013-14/

 

The Green Shoots of Recovery

Green Shoots

Here’s a great article in the April edition (Issue 129, p. 41-46) of Acoustic magazine where Bob Taylor of Taylor Guitars talks about sustainable tonewoods.

http://www.acousticmagazine.com/

Green Shoots

In the article Bob Taylor makes some excellent observations and comments which I fully support. Here’s my selection:

there is plenty that smaller guitar manufacturers can do to promote sustainability. “Each guitar maker has the ability to do something,” he says. “If a guitar builder is large like Taylor, they should do ethical sourcing of wood and replenishing. A small luthier cannot replenish, but they can ethically source wood. One part of ethical sourcing is to care about the quality of life and the pay of the people closest to the wood. We must each know that our wood is coming from places where laws are followed and people are paid”.

Totally agree with this comment. I find it extraordinary there are so many luthiers out there more than happy to help keep plundering the worlds rainforests. Even in Tasmania and Australia this is true!

And the same goes for consumers! Please stop plundering the worlds rainforests!

If people think that growing trees is or should be charitable work, then they don’t understand sustainability at all. Are tomatoes sustainable? Of course they are, because it’s profitable to grow them. We just have to make trees profitable to grow. This will happen in many different forms, because in many industries like construction lumber or plantation teak, it is already profitable. Small operations such as our Paniolo in Hawaii, or Crelicam in Cameroon, attract attention. This magazine is interested, as are the readers, and so are some industrialists or landowners. We can· show that it can be profitable if you’re in the right situation to do so. In the case of ebony, we have to start it with investment from us, which looks like charity really, but others will be able to profit from it someday, and the sustainable cycle can start. Without selling something there is no sustainability.

But I do think it’s possible to farm guitar wood, if I can be so basic in my description.

A huge round of applause for these comments!!

That’s it! It’s all about profitable tree growing. Unless and until tree growing is profitable there will be no tonewoods in the future. Bob Taylor understands this.

That means paying higher prices than what we pay now for plundered wood.

 

This move [the recent CITES regulations around rosewoods] has already had an effect on Taylor’s guitars: “All the rosewoods we use will be used in lesser quantities and on more expensive guitars. Why? Because there is expense associated with using the wood and exporting and importing both the wood and the guitar. That expense for permits is the same for an expensive or a cheap guitar. Consequently, we’ll see fewer1ow-priced rosewood guitars in the market.

As rosewood is one of the major tonewoods used worldwide, this means that other species must now come into the market to replace the reduced supply of rosewood.

“no [tonewood] species now can be sustainable without a proper planting programme”.

Here in Tasmania we have no blackwood planting plan. In fact we have no blackwood plan at all. All we have is a plan to continue to plunder our public native forests using taxpayers money. For details see here:

https://blackwoodgrowers.com.au/2017/05/08/a-strategic-growth-plan-for-the-tasmanian-forests-fine-timber-and-wood-fibre-industry/

“I often say that most guitar buyers are environmentalists, except on the day they spend their hard-earned money on their dream guitar. But I forgive them and understand. If we work together, we will find a new excitement. We are working hard to make beautiful guitars that please all the senses”.

Farm grown Tasmanian blackwood has the potential to become a profitable sustainable tonewood, but it will be a long slow road ahead under the current circumstances.

Insanity …

LogTruck

http://tasmaniantimes.com/index.php?/weblog/article/insanity-1/

Here’s an excellent article by economist Graeme Wells on the failures and incredible waste of past and present Government forest policy in Tasmania. It makes for sober reading.

Unfortunately Tasmania’s political system only exacerbates the problem.

When will Tasmania get a fully commercial, profitable forest industry?

Tasmanian Government Response to the Strategic Growth Plan

MACSGP2017

http://www.stategrowth.tas.gov.au/__data/assets/pdf_file/0011/149438/Tasmanian_Government_Response_To_Growth_Plan.pdf

The Tasmanian Government has released a statement outlining its response to the forest industry Strategic Growth Plan, which I previously reviewed:

https://blackwoodgrowers.com.au/2017/05/08/a-strategic-growth-plan-for-the-tasmanian-forests-fine-timber-and-wood-fibre-industry/

The Response keeps the focus of forest policy firmly on a public forest resource and a failed, self-declared bankrupt public forest manager.

Any transition to profitable private tree growers is completely out of the question.

Absolutely nothing has changed!

The bulk of the Response is about what the long suffering Tasmanian taxpayer will continue to do for the forest industry.

The continuing wanton waste of taxpayer’s money on the forest industry is beyond belief! The forest industry has access to the Treasury piggy bank like no other industry in Tasmania!

It now appears certain that the Tasmanian taxpayer will take over responsibility for funding the construction and maintenance of all thousands of kilometres of forestry roads on public land. This is a direct contravention of competitive neutrality.

Remember there are private forest growers who receive none of these taxpayer benefits.

Finally on to special timbers discussed on page 4 of the Response.

As part of the continuing forest industry gravy train, the Tasmanian taxpayer is throwing money at a propaganda initiative to tell us about the benefits of continuing to plunder the last of Tasmania’s oldgrowth and rainforests for the benefit of a handful of venerable craftspeople.

Tasmanian Special Timber Woodcraft Sector Community, Market Awareness and Engagement Program Funding

Funding of $115 000 has been provided to the Tasmanian Special Timbers Alliance for the development and implementation of a Tasmanian Special Timber Woodcraft Sector Community, Market Awareness and Engagement Program. This program will support the implementation of the Special Species Management Plan.

It is all so sad, pathetic and predictable.

Forestry in Tasmania continues to be nothing but waste, politics, and conflict.

Many Tasmanians seem more than happy with this outcome.

As a forester I find the situation incomprehensible.

40 years of this nonsense and it just goes on and on….

When will Tasmania get a fully commercial profitable forest industry?

Not in the foreseeable future that is for certain!

NSW Forestry Industry Roadmap 2016

NSWFIR

http://www.crownland.nsw.gov.au/forestry/industry-roadmap

This Roadmap was released by the New South Wales (NSW) State Government in August last year.

Yet another forest industry taskforce, yet another forest industry plan.

Do I really want to review it? Just a cursory glance tells me it is another Dead Plan Walking.

Come the next change of State Government this Plan will be history.

The Roadmap has “4 Pillars”. They are:

  1. Regulatory modernisation;
  2. Balancing supply and demand;
  3. Community understanding and confidence;
  4. Industry innovation and new markets.

Nothing there about profitability or commercial performance.  Tree growing in NSW remains a community service. NSW farmers will be pleased about that!

So what are some of the glaring errors and omissions of the Roadmap?

  • The NSW Forest Industries Taskforce, just like the Tasmanian Forestry Advisory Council, is comprised of only forest industry representatives. This Roadmap is a 100% political document. In contrast the Victorian Forest Industry Taskforce includes a range of community representatives;
  • The complete lack of profitable tree growers;
  • The commercial management and profitability of NSW Forestry Corporation (the State’s largest tree grower) is completely ignored;
  • Transparent competitive log markets are completely absent. Apparently the price of logs is completely irrelevant to the future of the forest industry;
  • The complete absence of costings and a budget for the Roadmap. How much is THIS plan going to cost the taxpayer? Haven’t they payed the forest industry enough already?
  • The NSW Government will aim to improve community acceptance of the forestry industry as a sustainable and renewable industry” (p.11). What a terrible statement to make. It sounds like something Joseph Goebbels, Nazi Propaganda Minister, would say. More industry propaganda in other words.
  • There is no mention at all about improving the profitability of the industry – either growers or processors.

One of the issues that is highlighted for me by the Roadmap is the fact that plantation regulation is so completely different across all Australian States. Australian plantation owners cannot compete on a level playing field, even within Australia, because the regulations around plantation establishment and management differ significantly between States. No doubt this is also true with most primary industries.

Does the Roadmap have anything useful to say?

About the only useful thing the Roadmap says is that the Government will move to put both private and public forest growers on the same regulatory playing field. It is certainly curious how competitive neutrality continues to get such a low priority in the forest industry. As for commercial performance that continues to be completely ignored.

Here are three vital reports that the Roadmap completely ignores:

https://blackwoodgrowers.com.au/tag/impediments-to-investment-in-long-rotation-timber-plantations/

http://www.dpi.nsw.gov.au/__data/assets/pdf_file/0015/38031/farm-forestry-strategy-nsw.pdf

I also note that the NSW Department of Primary Industries website no longer includes forestry as a primary industry. Clearly NSW farmers are just not interested.

This Roadmap is 14 pages of tedious political/industry marketing hype and nonsense.

I’ve read it all so many times before over many decades. This is nothing more than the continuation of failed forest industry policy. All around Australia the forest industry exists in a perverse parallel universe, where commercial performance is irrelevant and taxpayer subsidies are vital.

When will NSW get a fully commercial profitable forest industry?

CF Martin & Tasmanian blackwood

OM45TBc

CF Martin is possibly the name in steel string acoustic guitars in the world.

https://www.martinguitar.com/

As a tree grower, to have your product associated with the CF Martin brand is as good as it gets.

But the Tasmanian farmers who grew this wood never got that recognition and support. If they had, they might now be growing more quality tonewood.

Unfortunately the tonewood market and the guitar industry don’t work that way.

Not yet!!

Martin admits their customer base is conservative and fickle; they have a hard time introducing new tonewoods into their product range. Tasmanian blackwood has been a disappointment for them in terms of market acceptance.

Nevertheless here’s a not-so-complete summary of CF Martin’s use of Tasmanian blackwood.

For those unfamiliar with Martin’s product codes, the OM is an Orchestra Model body shape/size and D is for Dreadnought body shape; the 42/45 designates the amount of bling (abalone and other exotica) on the guitar with “45” being bling-max!

Eight months after Taylor Guitars first introduced Tasmanian blackwood into their Limited Editions, CF Martin also introduced blackwood into their Limited Edition models at the 2005 Summer NAMM Show. And whilst Taylor went for a more affordable market, Martin went for the top shelf market.

These are rare premium guitars from a premium builder!

https://blackwoodgrowers.com.au/2017/02/17/2004-fall-limited-editions-when-taylor-guitars-first-introduced-tasmanian-blackwood/

2005 OM-45 Tasmanian Blackwood (The Sounding Board Vol. 19 p. 8)

The OM-45 Tasmanian Blackwood NAMM Show Special is tonally enhanced with an extremely rare flamed Engelmann spruce soundboard, and bookmatched back, sides and headplate of highly flamed Tasmanian blackwood. Special appointments include fossilized ivory bridge pins and endpin, Style 45 abalone trim with a boxed endpiece, Style 45 snowflake fingerboard inlays, gold plated Waverly hand-engraved tuning machines, a modified torch headstock inlay nested beneath the C. F. Martin & Co. logo inlaid in abalone, and a premium Accord case. This NAMM Show Special will be limited to no more than thirty instruments. Dealers may only place orders in person during the 2005 Indianapolis NAMM Show.

Here’s a link with some images of the OM-45 TB:

http://acousticguitarforum.com/forums/showthread.php?t=287129

OM45TB

2010 D-42 Tasmanian Blackwood (The Sounding Board Vol. 29 p. 11)

Once again, Martin has produced a NAMM Show Special guitar which truly lives up to its “special” designation – the D-42 Blackwood. Backs and sides of this exquisite instrument are crafted of flamed Tasmanian Blackwood, a close relative of Hawaiian Koa both in looks and tone, and which grows primarily on the island of Tasmania off the southeast coast of Australia. Its tone is clear and bright and highly reflective, a perfect match for the D-42’s Adirondack (Red Spruce) top, prized for its resonance and big, open bass voice. Top braces, also Adirondack, are carefully scalloped and tapered. The small maple bridgeplate is typical of Golden Era 30s Martins. As a special touch, European flamed maple is used for the top binding, fingerboard binding, heelcap and endpiece. The entire top perimeter and fingerboard extension are inlaid with colorful heart abalone pearl as is the style 45 rosette. A polished and beveled Delmar tortoise pickguard accents the pearl binding. Ebony fingerboard (inlaid with Golden Era snowflake, cats eye & concave squares) and bridge (with long bone saddle). “Alternative” flower pot headplate inlay. Only 10 of these unique guitars will be offered. Orders will be taken only at the Summer NAMM Show.

Here’s a link with some images of the D-42 TB:

http://theunofficialmartinguitarforum.yuku.com/topic/103988#.WOHlJtKGNdg

 

2011 OM-42 Tasmanian Blackwood (The Sounding Board Vol. 31 p. 27)

We should have called OM-42 Tasmanian Blackwood NAMM Show Special the “Show Stopper!” This magnificent 14-fret, longscale (25.4″), Orchestra Model exemplifies the very best that Martin has to offer the discriminating collector and player. For starters, back and sides are crafted of rare flamed Tasmanian blackwood from Eastern Australia. Visually, it’s similar to premium figured Hawaiian koa. Tonally, it shares the brightness of koa but with the rich overtones of rosewood, giving it a unique and very balanced voice. With its solid Adirondack spruce top and 1/4″ scalloped “Golden Era” braces, it’s also got a big voice, with plenty of volume when you need it. Finger-picking or rhythm, this is your guitar. In the 42-style, the top, rosette and fingerboard extension are inlaid with colorful Paua pearl. Martin’s early (and rarer) “alternate” pearl torch design is inlaid into a polished ebony headplate. The ebony fingerboard is likewise inlaid with “Golden Era” snowflakes. A vintage 1930s ebony “belly” bridge features long bone saddle, bone bridge pins (and end pin) with pearl dots. European flame maple top binding, heelcap and endpiece. Gold engraved Gotoh tuners. Modified V neck, of course. Only 15 of these beautiful instruments will be offered, each personally signed by C. F. Martin IV and numbered in sequence. Exquisite. Resonant. And oh-so-limited.

Here’s a link with some images of the OM-42 TB:

https://artisanguitars.com/2011-martin-om-42-limited-edition-adirondack-and-tasmanian-blackwood-5-8-id-6647

2011 was the last time Tasmanian blackwood featured on a Martin Limited Edition guitar. Perhaps aiming at the top shelf market wasn’t best way to introduce a new tonewood into the market.

In addition to these limited release NAMM Show Specials Martin continues to produce the occasional custom model featuring Tasmanian blackwood, some of which have featured on this website over the years, including the Martin Custom Shop 018-T-Tasmanian Blackwood and the Martin Custom CEO7 Tasmanian Blackwood.

https://blackwoodgrowers.com.au/category/cf-martin-guitars/

With CF Martin’s focus on FSC as their lifeline to a sustainable future, Tasmanian blackwood will have a hard time staying in Martin’s tonewood catalogue. There is currently no FSC certified Tasmanian blackwood available anywhere, and this is unlikely to change in the foreseeable future. The best chance of FSC Blackwood will come from New Zealand as farmers there ramp up production over the coming years.

https://blackwoodgrowers.com.au/2017/03/28/c-f-martin-guitars-sustainable-tonewoods/

Tasmanian blackwood needs lots of market support to reach the stage where it may be possible to achieve FSC certification. It’s up to the market to build a sustainable future for Tasmanian blackwood. The FSC won’t achieve that by itself.