Category Archives: Taylor Guitars

Taylor Tasmanian Blackwood Guitar Alert!

Taylor 712ce LTD 12 fret

Ok. Here is a Taylor Limited Edition special.

A 2018 Taylor 712ce LTD 12 fret with Torrified Sitka and [Tasmanian] Blackwood.

It’s not often that Taylor put out a 700 series model featuring Tasmanian blackwood.

This one is a beauty!

Here’s one for sale on Reverb but there are a few others around:

https://reverb.com/item/14352660-2018-taylor-712ce-ltd-12-fret-w-torrified-sitka-and-blackwood

Made using farm-grown Tasmanian blackwood from Tasmanian Tonewoods:

https://tasmaniantonewoods.com/

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Taylor 358e LTD

Taylor358eLTD

I haven’t done a guitar feature for ages so here we have the latest from Taylor Guitars featuring farm-grown Tasmanian blackwood courtesy of Tasmanian Tonewoods.

I wonder who were the lucky Tasmanian farmers who grew this premium product?

https://tasmaniantonewoods.com

This is a limited edition Grand Orchestra 12 string model in the 300 series.

This guitar was introduced at the 2018 Winter NAMM show in Anaheim, California.

It’s so new it isn’t even featured on Taylor’s website yet.

https://www.taylorguitars.com

In 2016 Taylor Guitars introduced Tasmanian blackwood into their regular production in the 300 series, becoming the first major guitar company to do so. The 300 series is the entry level series featuring all solid wood bodies.

To date the 300 series has not included an Orchestra Model in the line up. I guess this is Taylor testing the market to see if there is demand for a large body 12 string model in this price range. Currently 12 string Orchestra Models are only available in the 400 and 800 series.

Here’s a great review of the guitar from Alamo Music:

If you are after a big guitar with a BIG sound this is your axe!

Enjoy!

PS. I do like that shaded edge-burst on the blackwood back and sides. Good one Mr Taylor!

Taylor Custom Shop Grand Auditorium all Blackwood

Taylor Custom GA BW1

https://www.maxguitarstore.com/products/taylor-custom-shop-grand-auditorium-all-blackwood/

Here’s a great Taylor Custom Shop Grand Auditorium (GA) all blackwood guitar currently on the market at Max Guitars in The Netherlands.

Imagine a unique Taylor guitar that’s just yours, brought to life with Taylor’s legendary craftsmanship. Your Taylor. Your way! It’s possible.

Max Guitar stocks a great selection of these Custom Made Taylor Guitars. And lots of customers either pick one from stock or use our stock to inspire them to compose their own design! Simply Choose your category of guitar, pick your body shape, select from a rich assortment of our finest tonewoods including non-standard species and grades, choose from a full palette of appointments, and more. Then we’ll get to work building your Taylor guitar that’s uniquely personalized for your tastes. Ready? Talk to us?

Taylor Custom Shop 9009 is a Unique Custom shop model made at the Taylor El Cajon factory and picked especially by Robbert for Max Guitar!

The exquisite Grand Auditorium Custom model is a special order made in El Cajon and sports a Venetian Cutaway. Built up out of superb tone woods. A Blackwood back and sides and a very resonant Blackwood top that sounds really full! Furthermore ebony fingerboard, MOP binding, dot inlay, Gotoh 510 tuners, The whole instrument is finished in a warm Sunburst and extremely thin gloss finish. Comes with COA and Hardcase.

Bring Your Dream Guitar to Life! Imagine a Taylor guitar that’s uniquely yours, brought to life with Taylor’s legendary craftsmanship.

At €4930 or $A7480 it’s not cheap.

But then it is a custom build.

Things I like about this guitar:

  • The all blackwood body
  • The shaded edgeburst
  • The gold Gotoh 510 tuners (I think gold goes well with blackwood)
  • Those neat fretboard inlays look pretty cool too!

Taylor Custom GA BW3

Made with farm-grown Tasmanian blackwood courtesy of Tasmanian tonewoods:

https://tasmaniantonewoods.com/

https://www.taylorguitars.com/

Taylor 2010 Spring Limited Editions

2010SpringLTDsa

Above L-R: Tasmanian Blackwood 514ce-LTD, Walnut 414ce-LTD

For the fourth consecutive year Taylor Guitars included Tasmanian blackwood in a limited edition set. Spring 2010 saw 9 limited edition models of which 2 featured Tasmanian blackwood, this time in the 500 series thanks to the highly figured blackwood.

Bob Taylor and his design team herald spring’s arrival with a quartet of limiteds that promise to invigorate the senses.

Our Spring Limiteds have become one of those typically atypical Taylor design projects. Rather than making a firm commitment to come up with something each spring, Bob and his fellow designers wait to see if the product development stars align. Are there any reserves of exotic woods available that invite special treatment? Which models are generating lots of excitement around the factory? We think you’ll be happy with this year’s outcome (Wood & Steel Vol 63).

Tasmanian blackwood is often compared to its better-known cousin, Hawaiian koa. We gathered an assortment of impressively figured backs and sides for this run, making this a special upgrade to our 500 Series. Tonally, blackwood shares koa’s blend of midrange bloom and top end brightness, and will grow sweetly mellower over time, with great dynamic range.

Both models are topped with Sitka spruce and include Ivoroid binding, an abalone rosette, and an all-gloss finish [and gold-coloured tuners].

Tasmanian blackwood is often compared with Hawaiian koa as a tonewood. It’s a natural comparison to make but it can quickly turn to blackwood’s disadvantage if overdone as a marketing strategy. I think Tasmanian blackwood is more than capable of standing on its own two feet (roots??) as a quality tonewood.

Here’s a Spring Taylor 2010 516ce-LTD for sale on Reverb:

https://reverb.com/item/4445536-taylor-516ce-ltd-spring-limited-2010-tasmanian-blackwood-sitka

Production numbers (courtesy of Taylor Guitars) were:

MODEL PRODUCTION
514ce-LTD 301
516ce-LTD 215

 

https://www.taylorguitars.com/

Over four consecutive years 2007-2010 Taylor Guitars produced almost 2,700 guitars across 9 Limited Edition models featuring Tasmanian blackwood.

My next spotlight will be on the 2012 Spring Limited Edition GS mini models.

Previous Taylor spotlights:

2004 Fall Limited Editions – when Taylor Guitars first introduced Tasmanian blackwood

Taylor GS4e 2007 Fall Limited Edition

Taylor 2008 Spring Limited Editions

Taylor 2009 Spring Limited Editions

Taylor 2009 Spring Limited Editions

2009SpringLTDs

Above (L-R): Tasmanian blackwood/Sitka spruce, 416ce-LTD, Sapele/ovangkol T5-LTD, Madagascar rosewood/Sitka spruce 714ce-LTD

Following the release of the mysterious 2008 Spring Limited Editions Taylor Guitars continued its steady promotion of Tasmanian blackwood in 2009 with 4 Spring Limited models.

With value on people’s minds, we’ve cooked up a special batch of LTDs for spring — inspired by Madagascar rosewood, Tasmanian blackwood and ovangkol — and added premium features, all at a sweet price point (Wood & Steel, Vol. 59).

The blackwood models were once again released in the 400 series.

Sounding just as good as they look, the 400 Series Limiteds feature a honey-colored Tasmanian blackwood back and sides and are dramatically accented with creamy maple binding and [back] mini-wedge. With a Sitka spruce top, a sparkling abalone rosette, stylish mother-of-pearl diamond fretboard inlays and a high-gloss finish on the top, back and sides, the blackwood 400 Series Limited Edition is available as a 410ce-LTD, 412ce-LTD, 414ce-LTD or 416ce-LTD. Along with the 700 Series, the 400 Series features a sloping Venetian cutaway and Taylor’s Expression System® for high fidelity plugged-in playing.

Production numbers (courtesy of Taylor Guitars) were:

MODEL PRODUCTION
410ce-LTD 115
412ce-LTD 62
414ce-LTD 332
416ce-LTD 241

 

https://www.taylorguitars.com/

My next spotlight will be on the 2010 Spring Limited Edition models.

Previous Taylor spotlights:

2004 Fall Limited Editions – when Taylor Guitars first introduced Tasmanian blackwood

Taylor GS4e 2007 Fall Limited Edition

Taylor 2008 Spring Limited Editions

The Green Shoots of Recovery

Green Shoots

Here’s a great article in the April edition (Issue 129, p. 41-46) of Acoustic magazine where Bob Taylor of Taylor Guitars talks about sustainable tonewoods.

http://www.acousticmagazine.com/

Green Shoots

In the article Bob Taylor makes some excellent observations and comments which I fully support. Here’s my selection:

there is plenty that smaller guitar manufacturers can do to promote sustainability. “Each guitar maker has the ability to do something,” he says. “If a guitar builder is large like Taylor, they should do ethical sourcing of wood and replenishing. A small luthier cannot replenish, but they can ethically source wood. One part of ethical sourcing is to care about the quality of life and the pay of the people closest to the wood. We must each know that our wood is coming from places where laws are followed and people are paid”.

Totally agree with this comment. I find it extraordinary there are so many luthiers out there more than happy to help keep plundering the worlds rainforests. Even in Tasmania and Australia this is true!

And the same goes for consumers! Please stop plundering the worlds rainforests!

If people think that growing trees is or should be charitable work, then they don’t understand sustainability at all. Are tomatoes sustainable? Of course they are, because it’s profitable to grow them. We just have to make trees profitable to grow. This will happen in many different forms, because in many industries like construction lumber or plantation teak, it is already profitable. Small operations such as our Paniolo in Hawaii, or Crelicam in Cameroon, attract attention. This magazine is interested, as are the readers, and so are some industrialists or landowners. We can· show that it can be profitable if you’re in the right situation to do so. In the case of ebony, we have to start it with investment from us, which looks like charity really, but others will be able to profit from it someday, and the sustainable cycle can start. Without selling something there is no sustainability.

But I do think it’s possible to farm guitar wood, if I can be so basic in my description.

A huge round of applause for these comments!!

That’s it! It’s all about profitable tree growing. Unless and until tree growing is profitable there will be no tonewoods in the future. Bob Taylor understands this.

That means paying higher prices than what we pay now for plundered wood.

 

This move [the recent CITES regulations around rosewoods] has already had an effect on Taylor’s guitars: “All the rosewoods we use will be used in lesser quantities and on more expensive guitars. Why? Because there is expense associated with using the wood and exporting and importing both the wood and the guitar. That expense for permits is the same for an expensive or a cheap guitar. Consequently, we’ll see fewer1ow-priced rosewood guitars in the market.

As rosewood is one of the major tonewoods used worldwide, this means that other species must now come into the market to replace the reduced supply of rosewood.

“no [tonewood] species now can be sustainable without a proper planting programme”.

Here in Tasmania we have no blackwood planting plan. In fact we have no blackwood plan at all. All we have is a plan to continue to plunder our public native forests using taxpayers money. For details see here:

https://blackwoodgrowers.com.au/2017/05/08/a-strategic-growth-plan-for-the-tasmanian-forests-fine-timber-and-wood-fibre-industry/

“I often say that most guitar buyers are environmentalists, except on the day they spend their hard-earned money on their dream guitar. But I forgive them and understand. If we work together, we will find a new excitement. We are working hard to make beautiful guitars that please all the senses”.

Farm grown Tasmanian blackwood has the potential to become a profitable sustainable tonewood, but it will be a long slow road ahead under the current circumstances.

Bob Taylor – Searching the World for Sustainable Tonewoods

Bob Taylor, President of Taylor Guitars, and a group of friends are currently on a world tour looking for sustainable tonewoods.

Bob is posting regular updates of his tour on Youtube. You can watch them here:

https://www.youtube.com/playlist?list=PLIa-kz_oNaiTYa5ZWKYsKSML5eEAIQKu6

Traditional tonewoods such as rosewood and mahogany are disappearing fast due to overlogging.

Bob Taylor consequently has two enormous challenges if Taylor Guitars is to survive and prosper into the future:

Firstly he needs to find sustainable sources of new tonewoods with which to build quality guitars.

Secondly he needs to convince a guitar-buying public to say goodbye to traditional tonewoods (perhaps a Farewell Party is needed) and welcome the new sustainable alternatives.

Neither of these challenges will be easy.

Trees take a long time (30+ years) to grow so Bob needs to be thinking 30+ years ahead. How many of us have to think 30+ years ahead just so that we have a job tomorrow?

Now that is a rare challenge!

But he also needs tonewoods in the short term. Traditional tonewoods will be gone well before any trees planted today can be harvested. So the tonewood market over the next 30+ years will be a mixed bag, until people start planting tonewoods to produce a regular, managed supply.

Despite my efforts unfortunately Tasmania is not on Bob Taylor’s itinerary.

In terms of forestry opportunity Tasmania has a poor reputation around the world. The rhetoric here may be “world’s best practice” but that is definitely not how the rest of the world sees us.

Bob Taylor may love Tasmanian blackwood as a tonewood, but as yet he is not prepared to commit his time and energy trying to deal with the many challenges facing forestry in Tasmania.

It will be interesting to watch the videos and see what Bob Taylor & Co discover on their journey.

Enjoy!