Monthly Archives: June 2018

Maton Guitars Tonewood Guide

MatonTonewoods

Maton Guitars of Melbourne, Australia has released a stunning new brochure on tonewoods.

https://maton.com.au/timbers

But does the marketing work?

Is it the message for the 21st century?

Whilst we acknowledge and have a deep respect for traditional tonewoods, we are also excited by the potential we have discovered in non-traditional (alternative) woods.

The musical instrument making community is becoming increasingly concerned about the lack of availability of some of their favorite traditional tonewoods. … it would be environmentally irresponsible to keep utilising these timbers without looking for alternatives.

We are fortunate enough to have the support of many of Australia’s most knowledgeable and skilled timber gatherers and continue to try new species….

This last statement completely bowls me over!

Maton still don’t get it do they?

Tonewood is about hunting and gathering??? WTF!!

I thought we had left those days behind. I thought this was the 21st century.

If you want tonewood for the future you need to plant, grow and harvest trees. It is not about hunting and gathering! Those forests have gone!

In the 21st century the future of tonewoods is about THE GROWER – who manages the forest, who plants the trees!

To their credit Maton devotes a beautiful two page spread to blackwood. But the idea that we should be actively growing blackwood for tonewood production still hasn’t entered Maton’s conscience.

MatonTonewoodsBWD

In all 15 tonewoods are described, but very little about where the wood comes from, who grows it or whether is it sustainable. Once upon a time I would have mentioned certification (PEFC/FSC) but my faith in forest certification is gone.

In today’s market it’s not enough to just say “it’s not rosewood” or “it’s alternative”.

The whole point of the “alternative tonewoods” story is not just to demonstrate the woods have good acoustic and aesthetic properties, but that they come from ethical, sustainable, profitable (for the grower) sources.

Maton needs to demonstrate commitment not just to using alternative tonewoods, but to supporting those who grow these quality timbers.

“Gathering” isn’t good enough.

Maton Guitars was a pioneer in the use of alternative tonewoods long before they became important.

It’s now time for Maton to take the next step in their commitment.

Unfortunately this glossy brochure just doesn’t do it!

PS. In their defense most other guitar makers are on the same page as Maton.

 

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Another blackwood timber price list

Here’s a blackwood timber price list for a timber retailer in Tasmania.

This sawmiller/retailer specialises in Tasmanian “specialty timbers”.

These timbers obviously come from Tasmanian public native forest, which as everyone should know by now, comes to market at great cost to Tasmanian taxpayers and the plundering of the last of our oldgrowth and rainforest.

https://www.theguardian.com/environment/2018/mar/29/tasmanian-forest-agreement-delivers-13bn-losses-in-giant-on-taxpayers

These prices are for individually priced boards, kiln dried and dressed, select grade (ie. Knot-free plain grain).

I’ve sorted these boards by the wood volume per metre, which seems to provide the best (but by no means perfect) explanation for the variation in price. The other curiosity besides the odd pricing structure is the diverse range of dimensions.

Note the variation in price for the boards of the same dimension eg. 310 x 32mm.

Given that timber is sold in Australia just on a price and NOT price per m or price per cubic metre, most customers would not spot this fraudulent behaviour.

Buyer beware!

ZXSJT

That this sawmiller is getting away with selling select grade blackwood for $8,000 per cubic metre should get some tongues wagging (I hope!).

The fact that getting this timber to market costs Tasmanian taxpayers is the criminal aspect of all this. Welcome to the Tasmanian forest industry!