I just stumbled across this today on the internet. Santa can drop one of these off at my place this Christmas if he’s feeling generous (I really do promise to be good….). There’s no way as a forest industry volunteer that I’m ever going to be able to buy one.
C.F.Martin is the prestige acoustic guitar company in America. This is Tasmanian blackwood appearing at Carnegie Hall; the very pinnacle of the timber value adding mountain. Martin has used Tasmanian blackwood occasionally in the past but it has been a while. The last examples that I’m aware of were beautiful OM-45 and D-42 models produced about 10 years ago.
And then today I found this absolute beauty. It is a Martin Custom Shop 018-T-Tasmanian Blackwood. Size “0” is the baby in the Martin family, while the “18” denotes a moderate degree of decoration (compared to the above “OM-45” that is literally dripping with bling). This custom baby model is only available at Music Zoo in Roslyn, New York. Check it out!
Baby Martin size “0” guitars are relative rare these days. They were common years ago, being introduced during the Great Depression to help boost sales at Martin Guitars. Martin also makes a custom order “0” in all solid mahogany including soundboard, which is another beautiful guitar. But I would happily sit this blackwood baby on my lap for a strum.
But all that Tasmanian promotion and marketing potential is being wasted. Tasmania is not internationally renowned as a reliable producer of sustainable profitable quality tonewood. To date most of the international commercial relationships have been short lived, difficult affairs, not to mention the local politics and conflict. We have the potential to once again walk the stage at Carnegie Hall with our quality profitable sustainable blackwood tonewood. To date there appears to be little interest here in Tasmania. Such a wasted opportunity.